Saturday, March 31, 2007

Have you seen my love? (blue face)




I'm going to start auctioning my pieces online. Just to see how this works out. This piece is a few years old. It's 8"x10" acrylic on wood.

If you would like to bid on this piece click here.

Thursday, March 29, 2007

Nuclear Ballet



I started and finished this piece around the time of the 20th Anniversary of the Chernobyl Disaster.

I recently sold this piece and they buyer wanted a statement from me regarding the concept of Nuclear Ballet. The following is what I wrote for the buyer:

Nuclear Ballet

I started my painting Nuclear Ballet, just a few days before April 26, 2006 which was the 20th anniversary of the Chernobyl disaster. The entire week before April 26th I had been closely following the coverage and reading about the environmental, health and cultural impact this disaster has had on the world.

The nuclear meltdown provoked a radioactive cloud which flew over Russia, Belarus and Ukraine, but also the European part of Turkey, Bulgaria, Greece, Moldova, Romania, Lithuania, Finland, Denmark, Norway, Sweden, Austria, Hungary, the Czech Republic and the Slovak Republic, Slovenia, Poland, Switzerland, Germany, Italy, Ireland, France and the United Kingdom.

Surprisingly, many species of wild animals and birds, which were never seen in the area prior to the disaster, are now plentiful, due to the absence of humans in the area. Which is why I included a robin and a duck (although it is a rubber ducky) in the picture.

Nuclear Ballet also references the nuclear tipping points we still live with. Although now it is no longer Russia and the United States playing the MAD (mutually assured destruction) game (or the dance) but other participants as well. Namely, Pakistan, India, N. Korea and others.

The ballerina in the painting is from a print of an actual ballerina with 1 1/2 arms. It's a large print and it hangs in my wife's office. When we bought the print we were told the ballerina was Russian, which reinforced my concept that exposure to radiation causes radical deformities and health issues.

The decay in the painting symbolizes the end of one era and the beginning of another. Which could include the end of man and the reinstatement of nature's superiority over man's self-conceived dominance. Even something so terrible as a nuclear disaster cannot stand up to nature's desire to reclaim the earth.


Terence Ulrich

Tuesday, March 27, 2007

Wormtongue

Photo Sharing and Video Hosting at Photobucket

2005 Terence Ulrich

collection of Wendy Bandurski-Miller
and Patrick Miller.

Friday, March 23, 2007

The Streetscape Mural Project, the last little bit.

So today we had the official dedication ceremony of the Streetscape Mural Project.

The mayor; Carl Morehouse spoke about each of the artists and their pieces. The artists and their friends stuffed themselves on cupcakes, iced tea and cokes. It was a warm day with lots of great art and happy, friendly people.

Here I am with a picture of the poster the City made for the occassion.



My family drove a couple of hours to be here and watch the ceremony, which I thought was really cool! Friends from LA and Ventura also showed up, some even took off work to be there!

This is my friend John aka Preacher Herb, who performed the marriage ceremony for my wife and I last year!



It was a great day and I want to thank each and every artist involved for their support and kind words!

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Featured in today's local paper


A nice little article about me in today's local paper.

How cool is that????

Mixed media with folk flavor

By Nicole D'Amore, Correspondent
March 23, 2007

Urban folk art is how Terence Ulrich describes his work, so it's fitting that he is one of the artists chosen to participate in the Ventura Streetscape Mural Project.

Ulrich's four-part mural, titled "Surfer's Point," can be seen at Ventura Avenue and Main Street, near the Museum of Ventura County. It is a colorful representation of people enjoying the beach — surfing and flying a kite — with some larger-than-life birds added to the mix.

Ulrich's paintings come from his imagination and often feature unusual elements. Color is bright and unexpected, limbs might be missing, animals wear human clothing.

He did a series on Catholic saints as Mexican wrestlers, with titles like "Santo Domingo de Guzman." He did another series on American proverbs, inspired by a book in his studio.

"When I don't know what to do, I take a proverb and make a picture around it," Ulrich said. "I'm influenced by early carnival art, banner art, circus sideshow stuff, turn-of-the-century mural art."

In his garage, recently converted to a studio in Ventura, Ulrich has shopping bags full of items he has collected to be incorporated into his mixed-media pieces: Chinese paper, old pieces of wallpaper, wood in various sizes, lucky charms, telephone pole nails. He has been influenced by such artists as Jose Posada, Manuel Ocampo and Michael Ray Charles. His bookshelf includes autographed copies by the pop surrealists Mark Ryden and Robert Williams.

Ulrich was born in Indiana and started drawing before he was 7, he said.

"I used to try to duplicate characters in my comic books," he said. He started painting when he was about 15.

His family moved to California when he was 14, but after graduating from high school he went back to the Midwest and studied at the Art Institute of Chicago from 1988 to 1990.

He returned to California and worked at various office jobs for several years, occasionally doing murals for people.

"I went to Platt College to learn design, to get out of the office," he said. He does illustrations for newspapers and magazines and for American Apparel in Los Angeles.

It was his wife, Ionia, who inspired him to get back into painting, he said.

"She saw my old sketchbooks and said, ‘You have to get out there and paint,' " he said. "She kind of disciplined me, whipped me into shape. She is my greatest supporter."

Before moving to Ventura, Ulrich and his wife lived in Los Angeles for six years, where his art was influenced by the urban environment.

"We lived one block from Skid Row; we were smack-dab in the middle of it," he said.

"I would see a billboard with old advertisements, layers and layers peeling like an onion, and I would wonder about that," he said. "I saw a blank canvas with my imagination as the unifying element to put the story together.

"I experimented on canvas, wood and other found objects and applied a system which mimicked my surroundings," he said. "Like most folk artists, the process and labor becomes part of the final product. There is a lot of gluing, cutting and sanding in my paintings."

He has exhibited paintings at La Luz de Jesus Gallery in Los Angeles, was in a group show at the Nathan Larramendy Gallery in Ojai in 2005, and was one of only three California artists asked to participate in the "James Brown – Soul of America" exhibition in Georgia last summer. He also does commissions for private collectors.

The mural project is sponsored by the Ventura Public Art Commission with the objective of making art accessible to the community while encouraging bus transportation and discouraging graffiti. Murals are at bus stop shelters throughout the city. In addition to nine artists, participants included Buena High School, Cabrillo Middle School and the Ventura County Rainbow Alliance.

A dedication ceremony for the mural project will be at 11 a.m. today at the California Mini Park at Santa Clara and California streets. Mayor Carl Morehouse will speak and refreshments and complimentary bus tokens will be provided. For more information, call 658-4736.

For more information about Ulrich's art, visit his Web site, http://www.terenceulrich.com.

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Friday, March 16, 2007

Creativity leads to growth

This article from Business Week, came to me from a friend, regarding the importance of artists in a community.

Bohemian today, high-rent tomorrow

Creative types are essential to urban and regional economic growth. Here's why artists are an indicator of coming gentrification -- and the 10 cities artists should flock to now.
By Maya Roney, BusinessWeek

The biggest metro areas with the lowest rents
The most expensive suburbs of the biggest U.S. cities
Want to know where a great place to invest in real estate will be five or 10 years from now? Look at where artists are living now.

Sociologists and policymakers have long touted art and culture as a cure-all to economically depressed neighborhoods, cities and regions. The reason? It has been proved that artists -- defined as self-employed visual artists, actors, musicians, writers, etc. -- can stimulate local economies in a number of ways.

Artists are often an early sign of neighborhood gentrification. "Artists are the advance guard of what's hip and cool," says Bert Sperling, the founder and president of Sperling's Best Places, based in Portland, Ore., and the compiler of BusinessWeek.com's list of the Best Places for Artists in America.

Creativity leads to growth

Artists, because of their typically lower incomes, usually need to seek out cheaper neighborhoods where they can afford the rent. But because of their creativity, they are able to fix up these areas, eventually attracting hip boutiques, galleries and restaurants. Not all artists are starving. Though some achieve success through writing, acting, painting or dancing, others get tired of scraping by as waiters or bartenders and sometimes apply their abilities in more-entrepreneurial ways.

Anne Markusen, an economist and professor at the University of Minnesota's Humphrey Institute of Public Affairs and a leading researcher on the effects of the arts on regional economics, once profiled an abstract painter whose work is now displayed on ceilings and in MRI machines in hospitals across the country. In Markusen's research, artists have also been found to stimulate innovation on the part of their suppliers. For example, a painter may need a certain type of frame that is not manufactured, forcing the frame maker to create a design that happens to also work well for other artists.

Nonarts businesses also use artist contractors to improve product design, help with marketing or even use dramatic theory to solve employee relationship issues. Being a cultural center also helps local businesses attract employees who want to be able to regularly go to the ballet or the theater, hear authors read from their latest books or attend art-gallery openings.

Follow the money

Due to the individual nature and economics of their work, artists are also some of the most itinerant professionals out there. When relocating, they often look for cities and towns that already have high concentrations of artists and a young and racially and ethnically diverse population. The presence of a nurturing art community in the form of art societies and centers is also essential, especially to young artists.

A low cost of living is important, but many artists make financial sacrifices to live near an art-rich urban center or in a cheaper neighborhood. Few struggling artists can now afford to live in neighborhoods like New York's SoHo and Greenwich Village, or even Williamsburg, which once were artistic havens before attracting wealthier residents. Now you are more likely to find New York-based artists in the Bronx, Brooklyn or even Philadelphia.

In addition to the presence of like-minded individuals, proximity to wealth is also important. The fact of the matter is that artists can seldom earn a living, let alone become rich, selling to other artists. They need wealthy benefactors to buy their paintings or support their local symphony, which explains why each of the places in the U.S. that we found to be the best for artists are in or near centers of wealth.

Los Angeles, No. 1 on our list, is most commonly associated with the film industry. While the city provides great opportunities for actors and directors, there are equally rich prospects for musicians, artists, writers and dancers. Of course, the majority of these people can't afford to live in Beverly Hills -- at least not until they get their big break -- and instead opt for more affordable digs in areas such as Echo Park.

Where to go now

BusinessWeek.com and Sperling's Best Places came up with a list of the best places for artists in the U.S. by identifying the metro areas that have the highest concentrations of artistic establishments. We also looked at the percentage of people ages 25 to 34, population diversity and concentration of museums, philharmonic orchestras, dance companies, theater troupes, library resources and college arts programs. A lower cost of living played a part in the selection of some cities but had to be overlooked elsewhere because of other very favorable factors.

Some of the top 10 are traditional art "supercities." One reason Los Angeles leads the list is because it has 56 artistic establishments for every 100,000 people, a diversity index of 84.2 and an arts-and-culture index of 100 (on a scale of 1 to 100). New York City and San Francisco are also in the top 10. Other places are midsize cities such as hippie havens Santa Fe, N.M., and Boulder, Colo., and country-music nucleus Nashville, Tenn. Smaller, less obvious additions include Carson City, Nev., which ranks third for its high concentration of arts establishments, and Kingston, N.Y., in the Hudson River Valley.

Ready to quit your day job and make art your profession? These metro areas are good places to start. With all the economic benefits you'll be providing, they should welcome you with open arms.

The top 10 places for artists (click on the links to read more about each locale):

Los Angeles
Santa Fe, N.M.
Carson City, Nev.
New York
Kingston, N.Y.
Oxnard-Thousand Oaks-Ventura, Calif.
Nashville, Tenn.
Boulder, Colo.
San Francisco
Nassau-Suffolk counties, N.Y.

Wednesday, March 14, 2007

Installation Complete!

Hello!

Remember me?

I haven't posted an entry for a while, the past few weeks have been busy beyond belief. I've got lots of news to share but first things first. Ionia and I had a pleasant surprise on the way to the water to surf and walk the dogs today, the bus stop murals were being installed. The guys from the city had finished one and were working on another while we drove by. The location where mine was to be installed was still empty. When we drove back an hour and a half later, the mural was installed and I had a little plaque with the title and my name!

To say that I'm stoked would be an understatement!!!!

So here's a picture and stuff:



Here's my plaque:



I think I'm gonna ask the woman on the left to marry me! Wait, I already did!

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